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By eleanorgatestuart Posted on February 19, 2015February 19, 2015

Celebrating the Year of the Goat

Celebrating the Year of the Goat reminds me of the excitement I have for these two earlier works: Laddertree & Extravaganza

Laddertree and Extravaganza by Eleanor Gates-Stuart — Laddertree and Extravaganza by Eleanor Gates-Stuart

Laddertree (Gouache, ink and watercolour)

Extravaganza (Silkscreen) Published by London Print Studio for ‘Jovert’ 1988

Part of the Blackmoods-Bluedemons Series

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Categories: Eleanor Gates-StuartTags: Blackmoods-Bluedemons, Chinese New Year, Eleanor Gates-Stuart, eleanorgatestuart, Silkscreen print, Year of the Goat

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StudioLab Crop - 1st sighting of SunLamb wheatear happening. Fantastic to see whilst its the roots in research vision. #eleanorgatestuart #growinglikeness #sunlambwheat #organicgrowth #scienceartist #agscience

StudioLab Crop - 1st sighting of SunLamb wheatear. Fantastic to see whilst its the roots in research vision. #eleanorgatestuart #growinglikeness #sunlambwheat #organicgrowth #scienceartist #agscience

StudioLab Crop - 1st sighting of SunLamb wheatear. Fantastic to see whilst its the roots in research vision. #eleanorgatestuart #growinglikeness #sunlambwheat #organicgrowth #scienceartist #agscience

So exciting when your major part of the installation arrives - now I can start thinking potential venues and applications. Such a long project when working with materials that have to be grown and analysed in the process. Still a way to go.

So exciting when your major part of the installation arrives - now I can start thinking potential venues and applications. Such a long project when working with materials that have to be grown and analysed in the process. Still a way to go.

So exciting when your major part of the installation arrives - now I can start thinking potential venues and applications. Such a long project when working with materials that have to be grown and analysed in the process. Still a way to go.

So exciting when your major part of the installation arrives - now I can start thinking potential venues and applications. Such a long project when working with materials that have to be grown and analysed in the process. Still a way to go.

So exciting when your major part of the installation arrives - now I can start thinking potential venues and applications. Such a long project when working with materials that have to be grown and analysed in the process. Still a way to go.

So exciting when your major part of the installation arrives - now I can start thinking potential venues and applications. Such a long project when working with materials that have to be grown and analysed in the process. Still a way to go.

So exciting when your major part of the installation arrives - now I can start thinking potential venues and applications. Such a long project when working with materials that have to be grown and analysed in the process. Still a way to go.

So exciting when your major part of the installation arrives - now I can start thinking potential venues and applications. Such a long project when working with materials that have to be grown and analysed in the process. Still a way to go.

So exciting when your major part of the installation arrives - now I can start thinking potential venues and applications. Such a long project when working with materials that have to be grown and analysed in the process. Still a way to go.

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© Eleanor Gates-Stuart

3D Visualisation Architectural Projections BioArt Biosecurity Bugs Commission Design Eleanor Gates-Stuart FingerCodes FingerPrint Insects installation NCKU Orchids Post-it Sketches Recent Research SCience+Art+Science ScienceArt StellrScope STEM Techno Art The Waterhouse Natural Science Art Prize Uncategorized Virus VR Painting Wheat

Dr Eleanor Gates-Stuart

Portrait Institute

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