In writing mode for the works in progress, Blood Fusion, Orchid Plants in Collaboration with the Orchid Research and Development Centre at National Cheng Kung University. I might have seemed quiet since returning to Australia but that is because I am busy working on my research projects and the Orchids are very much a favourite. Here is a peek at the images created for documenting the process. A big project with lots of material to include. I am hoping share the results soon, hopefully a conference paper along side the artworks and photographs. © Eleanor Gates-Stuart
Acknowledgement: Professor Hong-Hwa Chen & Pei-Han Lai, National Cheng Kung University
What an end to a great semester at National Cheng Kung University and having enjoyed being part of bringing this Techno Art Program into existence. Wonderful to have received my full Professorship and to have worked with some amazing colleagues and students. It will be exciting to hear of the 1st Techno Arts Masters students, 2017 graduation, and I hope they visit Australia in the future. This last semester was special by introducing students to science-art and to develop their research in collaboration with the Orchid Research and Development Centre (ORDC), NCKU. I will post more about my own research with ORDC soon. Now to life back in Australia 😀
|Jimmy Hung||洪凱祥||Yu Fu Lin||林玉富|
|Rider Chen||陳相丞||You-Yi Chen||陳佑亦|
|Jiun-Kai Huang||黃俊凱||Hsin Huang||黃歆|
|Jessica Chen||陳瀅守||Wu, Wan-Lin||吳宛霖|
|Lu, Wei-yu||盧威聿||Xu, Rui-ling||許瑞鈴|
|Prof Eleanor Gates-Stuart||愛莉諾||Prof Hong-Hwa Chen||陳虹樺|
|(Nicole) Pei-Han Lai||賴姵含|
We would like to express our thanks to the Orchid Research and Development Center (ORDC) for their kindness and support in collaborating with the artists in the Techno Art Program 1051. We wish the very best for all their research and future success.
Special “thank you” to:
Professor Hong-Hwa, Director (ORDC)
Professor Wen Huei Chen, Researcher (ORDC)
Associate Professor Wen-Chieh Tsai (Institute of Tropical Plant Science)
‘Unravelling the Sequence’ the first in the series of images, photo-sketches, for the new body of work starting here at the National Cheng Kung University. This body of work extends my research here on the Campus of NCKU, probably the timing and response to having been here over a year, finding overlaps in my thought and experiences, as I live between Australia and Taiwan…. one world.
Those of you that know me will with no doubt grasp the context – just an experiment.
Science communication remains an import aspect of the investigation and the results are two-fold in this particular instance so I can wider the scope of the results.
Stellr Mutants VR World are the next ‘breed’ of agricultural wheat extending the Stellrscope species
Artist, Dr Eleanor Gates-Stuart, revisiting ’15 Seeds’ and ‘Beautiful Mutant’ from the StellrScope wheat experimentation and innovation series.
Building the next breed via VR world to experience the species up close and inside.
Acknowledgement: CSIRO + Data61
Objects in Space (VR+) – Stage 3 in Progress following on from initial sketches to VR environments (Google Tilt Brush). Next step: materialising the object – monumental scale
Enjoyed presenting my work and being part of the SIGGRAPH 2016 panels (CG in Australasia & CG in Asia) Anaheim Convention Centre, LA
CG in Australasia Speakers include:
Patricia Kung | Animal Logic
Oliver Bown | UNSW
Eleanor Gates-Stuart | Artist / Professor of National Cheng Kung University, Taiwan
Panel Chair: June Kim | Research Associate at Queensland University of Technology (QUT)
Asia Speakers include:
Ben Lert: Chair of SIGGRAPH Asia 2017
Elanor Gates Stuart | Artist / Professor of National Cheng Kung University, Taiwan
Kenji Ozawa: Manager | Planning group Educational Div. Computer Graphic Arts Society (CG-ARTS)
Snow Yunxue Fu| Artist / Lecturer of School of the Art Institute of Chicago (SAIC)
Panel Chair: Miho Aoki | SIGGRAPH Symposium on Education Chair
Delighted to be one of the artists in this SIGGRAPH exhibition. Science of the Unseen: Digital Art Perspectives live on the internet. Phil Gough and Lindsay Zackeroff, co-curators and Cynthia B Rubin, Chair, ACM SIGGRAPH DAC Committee
Science + Art @ at the South Australia Museum
Congratulations to all applicants who entered this year’s Waterhouse Natural Science Art Prize and for providing a challenging and exciting opportunity for the judging panel to select works for the prizes and also for the exhibition. The world of natural science is truly amazing, as shown through the works of all the contributing artists and confirmed by the diversity of the artworks entered. The intellect and intensity of Natural Science as an influential content is counterbalanced with works that resonate of personal and passionate conviction for natural science, close up, in our lives and of the wider planet.
If you have a chance to visit the Waterhouse Natural Science Art Prize 2016 at the South Australia Museum it will certainly be worthwhile. The exhibition showcases the finalist’s artworks drawn from the Open and Emerging Artist categories exploring the theme of Natural Science within their artwork. This year’s winner of the Waterhouse Natural Science Art Prize is artist, Julia deVille, for her stunning artwork, Neapolitan Bonbonaparte and artist, Dan Power as winner for the Emerging Artist category for his intriguing artwork, G(RAZED).
This year video works were included in the Waterhouse Natural Science Art Prize, entries in any form of visual fine art were eligible with the exception of photography.
Open Prize $30,000, sponsored by Fisher Jeffries, Barristers & Solicitors
Emerging Artist Prize $10,000, sponsored by the Hill Smith Gallery
Barry Keldoulis, CEO and Group Fairs Director of Art Fairs Australia
Prof Eleanor Gates-Stuart, Professor in Techno Art at National Cheng Kung University, Taiwan
Prof Klaus Rohde, Emeritus Professor at the University of New England
Brian Oldman, Director South Australian Museum
Over in Australia with a great visit planned to SA Museum and planning of next projects. Contact me if you would like to catch up, chat about visits, research, have coffee… (June-Late August)
Thank you ATWEN for publishing this article.
Great be be working in both Australia and Taiwan.
Installation @ Scitech WA. The ‘Under the Surface’ Mining and Minerals has been installed and is up and running at Scitech WA. The work has been gerourously supported by CSIRO, KCGM Superpit, GeoScience Australia, DMP and Scitech Rio Tinto Innovation Central.
Contact Eleanor for more information
Great opening at Aglow Space Gallery
愛莉諾 Eleanor Gates-Stuart, 徐凡 Hsu Fan, 黃佩珊 Huang Pei-Shan, 于庭懿 Yu Ting-Yi, 羅翊寧 Lo Yi-Ning, 葉泰佑 Ye Tai-You, 李宜瑾 Lee Yi-Chin
Happening soon…………… ‘Under the Surface’ @ SCITECH WA
Under the Surface – Mining & Minerals
Mining Data: Dr Peter Schaubs, CSIRO
Delighted to be exhibiting with the up and coming artists @ NCKU
Breaking Windows Theory Exhibition by Techno Artists from NCKU 2016
破窗效應 BROKEN WINDOWS THEORY – 9 January 2016 – Aglow Space Gallery, Tainan, Taiwan
Exhibition Opening @ 2pm
The first public exhibition for these artists and with their Professor, Eleanor Gates-Stuart.
徐凡 Hsu Fan
黃佩珊 Huang Pei-Shan
于庭懿 Yu Ting-Yi
羅翊寧 Lo Yi-Ning
葉泰佑 Ye Tai-You
李宜瑾 Lee Yi-Chin
Amazing support from Mineral Resources at CSIRO WA for ‘Under the Surface’, Scitech Artist Residency 2016 – Eleanor Gates-Stuart. Busy few days dashing between Scitech and CSIRO WA in bringing together Art+Science+Technology. Well done CSIRO for engaging with artists.
Eleanor Gates-Stuart, Visiting ‘scientist’ – artist at Mineral Resources CSIRO
Just had to share one of my new images of Western Australia, part of the ‘Under the Surface’ mining project, residency at Scitech Discovery Centre 2016.
Scitech Residency 2016
Dr Eleanor Gates-Stuart
Australia to Taiwan: Professor Eleanor Gates-Stuart at National Cheng Kung University – Techno Art
Very excited to be taking up this overseas appointment in Taiwan having worked on many collaborative projects there over the years. This will be an opportunity to develop international research , artistic opportunities, projects and international networks.
Looking forward to be working and living between Taiwan and home in Australia, continuing my passion for science, arts and technology. Happy to hear from artists interested in developing research projects in these areas.
Acknowledgements: Commonwealth Scientific and Industrial Research Organisation (CSIRO), Australian National Centre for the Public Awareness of Science (CPAS) ANU, Scitech
Delighted to be joining National Cheng Kung University (NCKU) – Professor (Techno Art)
This appointment follows my Doctorate Degree at the Australian National University, Australian National Centre for the Public Awareness of Science (CPAS).
It is very exciting to be continuing my research in science + arts at NCKU, including the following research associations with CPAS, CSIRO and the University of Canberra.
Looking forward to extending these associations.
Painting the Blues
Developing a series of washes as part of my ‘brush’ templates First sign of a similar approach in the FingerCodes Series. Remnants of gatescherrywolmark with echoes of sub-cultural european influence.
© Eleanor Gates-Stuart 2015
New works in association with imaginarymediaimages – read more:
Celebrating the Year of the Goat reminds me of the excitement I have for these two earlier works: Laddertree & Extravaganza
Laddertree (Gouache, ink and watercolour)
Extravaganza (Silkscreen) Published by London Print Studio for ‘Jovert’ 1988
Finger, Bugs and Time Travel all sound like a great title for an Artwork.
These are new leaflets available on the works: FingerCodes, Titanium Insects and Nautical Mix.
The Creatives gallery showcases artists, designers, and creative technologists whose work has been informed or influenced by science and technology. Artists create, shape, reflect, and define our society — their contribution is critical to any human rights movement. This gallery seeks to recognize the critical role of artists and creative practitioners in imagining and realizing a more gender equitable future.
Great to be part of the exhibition – Thank you
A Global Fund for Women Project
Communicating Science: Explorations through Science and Art
PhD thesis and final seminar complete. Created this image ‘Discovery’ to celebrate the research.
PhD Research study at the Australian National Centre for the Public Awareness of Science (CPAS), Australian National University & the Commonwealth Scientific and Industrial Research Organisation (CSIRO).
Image contains a digital watermark that is not on the actual image.
Amazing series of presenters and excellent event
Photograph of Eleanor by Ian Barndt
Design Brief: Incorporating CSIRO photographs in a new design with text (Artistic approach required)
Dimensions: Table 5 m x 1m
Detail for Glass-case – Accompanying Panel: Smart Clothing, Quick Dry Merino, Flexible Integrated Energy Devices
Display installed in CSIRO Discovery Centre
Post-it sketches reflect my thoughts and capture snippets of my daily life. They have been something that sit in the background to my artist practice – more of a distraction to what I am actually doing and sometimes an enjoyable gift to send a friend and share with family. Drawing has always been part of my life but I never really regarded any of these sketches as an influence until I was in my final year at art school. It was then that they became part of my work having gained the confidence to put them out in public. A tutor had seen one of my letters that I was writing to a friend and asked about all the sketches that I was adding into the letter and asked if this was something that I enjoyed. Much of my earlier work show signs of this approach as I fluctuated through various stylistic methods to tell a story – more often to deflect the viewer from the real story or the images being personalised. A bit of a contraction really as everyone knew they were my drawings.
I still add drawings to my letters, enjoying a fountain pen and smudging my sketch with my fingers. These days I do not write as many letters as I would like to send as email is so much quicker and I guess that is why I started using the post-it notes as they are always on my desk. A thought will be put straight onto the note and then my iphone would send it off to a friend or add it up to my facebook page where I enjoy sharing the sketches with friends. I always placed them on my personal page rather than my art pages as I still wanted to keep them close, especially as they tend to be about my friends or my personal life.
So why make them more public? Interestingly, they have become part of my research study in a discussion relating to the framing of ideas. More so…… it has been great to receive lots of feedback from folks and that is as enjoyable for me as sharing the sketches. I do not have many early ones as they were all sent out in letters – you never know they might still have a few around if the content was directly about them or if they are as as much a ridiculous a hoarder of things as me.
Information Panels for CSIRO Discovery Centre
Panels commissioned for the Food Futures Science Exhibition area
© Eleanor Gates-Stuart
Each panel is H: 271cm x W: 42.2 cm
Science Inspired Designs by Eleanor – five in the Collection were previewed at FASHFEST. All designs are extracted from her research interests in science art (CSIRO + ANU), deconstructing the complex 3D images and reusing in beautiful repeat pattern. Artworks are available direct from Studio E L E A N O R G A T E S T U A R T Australia – likewise for other design projects and commisssions.
Images show a watermark – this does not appear on original designs
Rachel wearing ‘Jewels’ at the Finale at FASHFEST
Amazing ‘insects’ hit the catwalk in FASHFEST, as the science inspired insect prints were proudly showcased in the Scientist fashion theme. Almost ironic as the designs are 3D insect body maps … rewrapped as swimwear and stunning in their appearance. Five designs were selected from Eleanor’s collection, images that form part of her research at CSIRO (Computational Informatics Division) and the ANU (CPAS) reflecting her focus in science+art+technology.
Using Eleanor’s fabric designs, the swimsuits are then designed by British fashion Designer, Shelley Campton and printed in collaboration with JETS Digital.
Working on the ‘Scientist’ theme for FASHFEST has certainly thrown a different perspective on the research I normally undertake in my science art focus and one that is truly exciting. Seeing images take on a new aesthetic in the form of fabric design and applied to the FASHFEST scientist theme for swimwear is an interesting direction.
Admittedly the lab coats have crept into the spotlight and to be honest an image I have not attached to my work before given it is usually the science itself I have been focused on. However, seeing the fun that the public has in wearing the lab coats and taking on the persona of scientist in the learning environment at CSIRO Discovery Centre captured my attention.
Although the lab coats only have a few seconds appearance as the science inspired fabric prints and swimsuits are the main feature, I am already thinking about the potential of them in future concepts. Collaborators are most welcome.
3D Grassland goes fabric for FASHFEST
The 3D animated ‘Grassland’ sequence provides the stunning design for one of the FASHFEST contemporary swimwear. The palm beetle and cicada (from the Australian National Insect Collection, CSIRO) are amongst the featured ‘stars’ in the designs, although they might be rather hard to find in the sheer brilliance and pattern of the printed fabric.
The other four designs are full of colour as you can imagine with such beautiful Australian insects as inspiration. These will be revealed on the night at FASHFEST.
There are also a suite of artworks from Grasslands as shown on Studio E L E A N O R G A T E S T U A R T Australia.
If you are interested in knowing more about Eleanor’s work – please contact her directly.
SCIENCE+ART+FASHION … CSIRO+eleanorgatestuart+FASHFEST
Bugs make it to the fashion walkway at FASHFEST. Well sort of… Eleanor’s insect artwork is fused in a myriad of design as fashion fabrics for swimwear. A rather unusual brief and a very exciting challenge as one of the three artists selected by FASHFEST producer, Steve Wright, to contribute to the fashion event. Eleanor whose research with CSIRO and CPAS (ANU) specialises in using her art to illuminate science research and collaboration, such as, her designs for FASHFEST that focus on the 3D construction of insects for the Australian National Insect Collection (CSIRO) with the Division of Computational Informatics.
The FASHFEST theme of ‘Scientist’ fits perfectly with Eleanor’s own PhD research study in science and art, especially with her collaborative partnership with Dr Chuong Nguyen in their exploration of 3D printing of titanium insects and interactive exhibits, such as StellrScope.
Following requests to buy artworks direct, eleanorgatestuart Collections are now online. Gradually updating the works – please enjoy and share the post
Feel free to contact in regards to commissions, projects and research.