‘Unravelling the Sequence’ the first in the series of images, photo-sketches, for the new body of work starting here at the National Cheng Kung University. This body of work extends my research here on the Campus of NCKU, probably the timing and response to having been here over a year, finding overlaps in my thought and experiences, as I live between Australia and Taiwan…. one world.
Those of you that know me will with no doubt grasp the context – just an experiment.
Science communication remains an import aspect of the investigation and the results are two-fold in this particular instance so I can wider the scope of the results.
Stellr Mutants VR World are the next ‘breed’ of agricultural wheat extending the Stellrscope species
Artist, Dr Eleanor Gates-Stuart, revisiting ’15 Seeds’ and ‘Beautiful Mutant’ from the StellrScope wheat experimentation and innovation series.
Building the next breed via VR world to experience the species up close and inside.
Acknowledgement: CSIRO + Data61
Objects in Space (VR+) – Stage 3 in Progress following on from initial sketches to VR environments (Google Tilt Brush). Next step: materialising the object – monumental scale
Post-it sketches reflect my thoughts and capture snippets of my daily life. They have been something that sit in the background to my artist practice – more of a distraction to what I am actually doing and sometimes an enjoyable gift to send a friend and share with family. Drawing has always been part of my life but I never really regarded any of these sketches as an influence until I was in my final year at art school. It was then that they became part of my work having gained the confidence to put them out in public. A tutor had seen one of my letters that I was writing to a friend and asked about all the sketches that I was adding into the letter and asked if this was something that I enjoyed. Much of my earlier work show signs of this approach as I fluctuated through various stylistic methods to tell a story – more often to deflect the viewer from the real story or the images being personalised. A bit of a contraction really as everyone knew they were my drawings.
I still add drawings to my letters, enjoying a fountain pen and smudging my sketch with my fingers. These days I do not write as many letters as I would like to send as email is so much quicker and I guess that is why I started using the post-it notes as they are always on my desk. A thought will be put straight onto the note and then my iphone would send it off to a friend or add it up to my facebook page where I enjoy sharing the sketches with friends. I always placed them on my personal page rather than my art pages as I still wanted to keep them close, especially as they tend to be about my friends or my personal life.
So why make them more public? Interestingly, they have become part of my research study in a discussion relating to the framing of ideas. More so…… it has been great to receive lots of feedback from folks and that is as enjoyable for me as sharing the sketches. I do not have many early ones as they were all sent out in letters – you never know they might still have a few around if the content was directly about them or if they are as as much a ridiculous a hoarder of things as me.
More information: Speaker
StellrScope @ CSIRO
Paper presented at IEEE VIS 2013, Atlanta, US
Paper available at this link: http://visap2013.sista.arizona.edu/papers/Stuart_CreativeCatalysts.pdf
People tend to judge the benefits of Science Art collaborations by their tangible outputs, such as artworks, visualisations and other artefacts generally accessible to a wide audience. We argue that the process by which these artworks were created can be a significant, or even the principal benefit of these collaborations, even though it might be largely invisible to anyone other than the collaborators. We describe our experience of Art and Science as mutual catalysts for creativity and imagination within the context of a large multidisciplinary research organisation (The Commonwealth Scientific and Industrial Research Organisation—CSIRO) and a major national exhibition—The Centenary of Canberra Science Art Commission. We have formed a view that Science and Art often pursue orthogonal dimensions of creativity and innovation, and that with the right approach and attitude, collaborators can combine these dimensions to access new areas of imagination and ideas. We discuss some of the challenges we have experienced in pursuing this aim, but conclude that the rewards to Art and Science—and the benefits they deliver to society—are well worth it.
Eleanor Gates-Stuart, Matthew Morell, David Lovell, Chuong Nguyen, Matt Adcock, Jay Bradley
StellrScope Exhibition Banners – Please take the poll and help choose which banner
A Series of Artworks Celebrating the Centenary of Canberra,
Science Art Commission Residency, StellrScope, at the Commonwealth Scientific and Industrial Research Organisation
6 August – 15 September, 2013
Open: Mon – Fri 9.00 am – 5.00 pm Weekends 11 am – 3 pm
Venue: CSIRO Discovery Centre
North Science Road, Acton ACT 2601
StellrScope by Eleanor Gates-Stuart
Celebrating a Century of Wheat Innovation in Australia from the days of William Farrer to CSIRO Research today
5 August – 1 September, 2013
Open daily between 9.00 am and 5.00 pm
Venue: Gallery 5, Questacon – The National Science and Technology Centre
King Edward Terrace Canberra, ACT 2604 Australia
Admission to StellrScope at Questacon is free (conditions apply, see www.questacon.edu.au for information
PlantSeedMan Installation Development Research for StellrScope Science Art Commission Project – see post
InterVisible: Visions from the Intersection of Science and Art
Abstract: “Usually, scientific images are conversations stoppers; Science art is a conversation starter” – Dr Matthew Morell, CSIRO Food Futures Flagship. This work highlights the complementarity of Science and Art. Our recent experiences have shown that Art can take Science to places and audiences that it could not otherwise reach. We believe that through, and with Art, CSIRO and other research organisations can engage a much broader audience and, in doing so, increase the impact of Science.
ENLIGHTEN 2013: Bugs and Plants on Questacon
Very exciting to see that the final projections are a match to the concepts and artwork.
Mapping Insects (BUGS): Texture and Environment
3D reconstructed insects from the Australian National Insect Collection, CSIRO. The insects are placed on a static visual plane that changes in timeframe onto the building and have a visual dynamic effect from both walls or at a corner.
Plants through an artistic 3D ‘lens’ and the complex structure of the plant, texture and DNA. A translated 3D model and simulated environment viewed as ‘internal’ landscape on external walls.
Artworks by Eleanor Gates-Stuart
Insect scan data by Dr Chuong Nguyen from the Australian National Insect Collection, CSIRO.
Plants scan data by Dr Xavier Sirault and Dr Chuong Nguyen at the Australian Plant Phenomics Facility – the High Resolution Plant Phenomics Centre at CSIRO.
Projections by Electric Canvas.
ENLIGHTEN: A sneak peek at one of the architectural projections starting tonight in Canberra.
It has been an amazing experience to make the concepts become real and to see the buildings transform with the artworks. Wow… large scale and in 3D .. amazing.
Electric Canvas are brilliant to work with and have created an excellent showcase for Enlighten 2013. The above image shows Questacon actually lit up (centre image) whilst the other smaller images are my concept sketches. I hope to publish these here soon once the Enlighten Program is well on its way. The National attraction buildings that have my artwork: the National Library of Australia, Questacon and the Museum of Australian Democracy (Old Parliament).
CSIRO, The Australian National Insect Collection, Electric Canvas, Enlighten 2013, The Enlighten Venues (NLA, MOAD, Questacon, NPG), The Centenary of Canberra 2013, ABC
Link: FEATURED ON ABC 7.30 REPORT ACT
Selected as one of the five artists for Enlighten 2013 – Architectural Projections in Canberra. I created the above image as a sneak peek poster for my visual snippets. Looking forward to working with the artistic team, host organisations, Curator Gemma Pepper and the Electric Canvas.
Presented StellrScope, as an update on the Centenary of Canberra 2013 Science Art Commission Project at OzViz 2012 Symposium.
Poster exhibited (as shown) includes Dr Chuong Nguyen (CSIRO)and Dr Xavier Sirault (CSIRO)
Constructing Images and Revisioning Science Image Collections
Images produced for the Australian Biosecurity Intelligence Network (ABIN)
Image References: CSIRO Image Library
‘The Abstract Universe: Microcosm/Macrocosm’, Therese A. Maloney Art Gallery, USA, 2012.
‘Biosecurity as Art’, ASC Conference, Sydney. 2012
These images form part of the ’20×20′insect series relating to research on 3D visualisation an image projection with Chuong Nguyen (CSIRO).
The above image is low-resolution with watermark.
Left side images – concept for projection. Rightside images – film and still image projection in situ @ CSIRO
3D Insect Scans by Dr Chuong Nguyen CSIRO
Australian National Insect Collection, CSIRO