Delighted to be invited to ‘Magnified’ – 12 Years of the Waterhouse Natural Science Art Prize at the National Archives of Australia.
Natural Science and Art – wonderful.
Finger, Bugs and Time Travel all sound like a great title for an Artwork.
These are new leaflets available on the works: FingerCodes, Titanium Insects and Nautical Mix.
Exhibiting a poster at ASC 2014 and showing artworks in the Science Art Exhibition. Also presentation of our research paper, ‘Visualising Insects: An Exploration in Science and Art’ , co-authored with Dr Chuong Nguyen at Computational Informatics, CSIRO.
StellrScope @ CSIRO
Paper presented at IEEE VIS 2013, Atlanta, US
Paper available at this link: http://visap2013.sista.arizona.edu/papers/Stuart_CreativeCatalysts.pdf
People tend to judge the benefits of Science Art collaborations by their tangible outputs, such as artworks, visualisations and other artefacts generally accessible to a wide audience. We argue that the process by which these artworks were created can be a significant, or even the principal benefit of these collaborations, even though it might be largely invisible to anyone other than the collaborators. We describe our experience of Art and Science as mutual catalysts for creativity and imagination within the context of a large multidisciplinary research organisation (The Commonwealth Scientific and Industrial Research Organisation—CSIRO) and a major national exhibition—The Centenary of Canberra Science Art Commission. We have formed a view that Science and Art often pursue orthogonal dimensions of creativity and innovation, and that with the right approach and attitude, collaborators can combine these dimensions to access new areas of imagination and ideas. We discuss some of the challenges we have experienced in pursuing this aim, but conclude that the rewards to Art and Science—and the benefits they deliver to society—are well worth it.
Eleanor Gates-Stuart, Matthew Morell, David Lovell, Chuong Nguyen, Matt Adcock, Jay Bradley
ABC3 Behind the News Reporter, Emma Davis, interviews CSIRO Science Art Fellow, Eleanor Gates-Stuart and CSIRO Research Scientist, Dr Chuong Nguyen about their collaboration to produce the 3D Titanium Insects. Watch the video, below:
3D Titanium Bugs on exhibition at Embracing Innovation Volume 3
Craft ACT: Craft and Design Centre Gallery: 18 Jul – 24 Aug 2013
Level 1, North Building, 180 London Circuit, Civic Square, Canberra
“Eleanor Gates-Stuart has worked as part of a team also, with scientists and computer experts at the Commonwealth Scientific and Industrial Research Organisation (CSIRO) providing specific expertise. As part of her Canberra Centenary science art commission StellrScopE, the team used a 3D scanner to map weevils and other bugs and insects, and enlarge them with detail intact. Such art and science collaborations are increasingly common, for instance the Synapse initiative of the Australia Council for the Arts and the Australian Network for Technology2 has facilitated collaborations between artists and scientists on a variety of projects over the last ten years.
Artworks produced during Gates-Stuart’s collaboration include two dimensional images and a group of three dimensional bugs printed in titanium and patinated in strong bright colour. The ‘re-birthed’ bugs, enlarged beyond their true size, are strange hybrids; neither toy nor specimen, props perhaps in a science fiction film or animation. Spot lit in the gallery this sense of the filmic is amplified”.
Extract from Embracing Innovation Volume 3 Essay by Dr Patsy Hely
Opening Speech by Peter King:
Mr Peter King is the Manager of Green Growth Partnerships and Design Integration and the Secretariat Australian Design Integration Network at the CSIRO (Commonwealth Scientific and Industrial Research Organisation).
Giant 3D printed bugs shed light on insect anatomy
Images are low resolution with watermark – high res’ images available on request
More information can be following on these links:
StellrScope Exhibition Banners – Please take the poll and help choose which banner
A Series of Artworks Celebrating the Centenary of Canberra,
Science Art Commission Residency, StellrScope, at the Commonwealth Scientific and Industrial Research Organisation
6 August – 15 September, 2013
Open: Mon – Fri 9.00 am – 5.00 pm Weekends 11 am – 3 pm
Venue: CSIRO Discovery Centre
North Science Road, Acton ACT 2601
StellrScope by Eleanor Gates-Stuart
Celebrating a Century of Wheat Innovation in Australia from the days of William Farrer to CSIRO Research today
5 August – 1 September, 2013
Open daily between 9.00 am and 5.00 pm
Venue: Gallery 5, Questacon – The National Science and Technology Centre
King Edward Terrace Canberra, ACT 2604 Australia
Admission to StellrScope at Questacon is free (conditions apply, see www.questacon.edu.au for information
3D ‘Beautiful Mutant’ and ‘twoxseeds’ are part of the new virtual crop series being produced for StellrScope. This image includes the wheatear ‘point cloud’ as part of the visualisation process leading the object into other artworks.
IMPRINT, The Journal of the Print Council of Australia
New Technologies and Alternative Media
Autumn 2013 Volume 48 No. 1 Pages 30/31
Journal available: IMPRINT_Article2013
The Art and Process of Making Insects… as Art – New Works by Eleanor Gates-Stuart
See Bug Collective for larger images (page under menu insects)
Constructing Images and Revisioning Science Image Collections
Images produced for the Australian Biosecurity Intelligence Network (ABIN)
Image References: CSIRO Image Library
‘The Abstract Universe: Microcosm/Macrocosm’, Therese A. Maloney Art Gallery, USA, 2012.
‘Biosecurity as Art’, ASC Conference, Sydney. 2012
Reworked images for SPECTRA Conference using high resolution 3D scans from the Australian National Insect Collection ANIC and archives from CSIRO’s Library special collections room of original watercolour insect illustration plates.
Artwork by Eleanor Gates-Stuart
Insect Scans by Dr Chuong Nguyen CSIRO
*Insects Illustration reference:
Original Plates by F. Nanninga (CSIRO) or ‘The Insects of Australia’, Publication by Melbourne University Press, 1970.
Image also published on http://stellrscope.com/other/20×20/