‘Unravelling the Sequence’ the first in the series of images, photo-sketches, for the new body of work starting here at the National Cheng Kung University. This body of work extends my research here on the Campus of NCKU, probably the timing and response to having been here over a year, finding overlaps in my thought and experiences, as I live between Australia and Taiwan…. one world.
Those of you that know me will with no doubt grasp the context – just an experiment.
Science communication remains an import aspect of the investigation and the results are two-fold in this particular instance so I can wider the scope of the results.
Finger, Bugs and Time Travel all sound like a great title for an Artwork.
These are new leaflets available on the works: FingerCodes, Titanium Insects and Nautical Mix.
Communicating Science: Explorations through Science and Art
PhD thesis and final seminar complete. Created this image ‘Discovery’ to celebrate the research.
PhD Research study at the Australian National Centre for the Public Awareness of Science (CPAS), Australian National University & the Commonwealth Scientific and Industrial Research Organisation (CSIRO).
Image contains a digital watermark that is not on the actual image.
Science Inspired Designs by Eleanor – five in the Collection were previewed at FASHFEST. All designs are extracted from her research interests in science art (CSIRO + ANU), deconstructing the complex 3D images and reusing in beautiful repeat pattern. Artworks are available direct from Studio E L E A N O R G A T E S T U A R T Australia – likewise for other design projects and commisssions.
Images show a watermark – this does not appear on original designs
Rachel wearing ‘Jewels’ at the Finale at FASHFEST
Exhibiting a poster at ASC 2014 and showing artworks in the Science Art Exhibition. Also presentation of our research paper, ‘Visualising Insects: An Exploration in Science and Art’ , co-authored with Dr Chuong Nguyen at Computational Informatics, CSIRO.
StellrScope @ CSIRO
Paper presented at IEEE VIS 2013, Atlanta, US
Paper available at this link: http://visap2013.sista.arizona.edu/papers/Stuart_CreativeCatalysts.pdf
People tend to judge the benefits of Science Art collaborations by their tangible outputs, such as artworks, visualisations and other artefacts generally accessible to a wide audience. We argue that the process by which these artworks were created can be a significant, or even the principal benefit of these collaborations, even though it might be largely invisible to anyone other than the collaborators. We describe our experience of Art and Science as mutual catalysts for creativity and imagination within the context of a large multidisciplinary research organisation (The Commonwealth Scientific and Industrial Research Organisation—CSIRO) and a major national exhibition—The Centenary of Canberra Science Art Commission. We have formed a view that Science and Art often pursue orthogonal dimensions of creativity and innovation, and that with the right approach and attitude, collaborators can combine these dimensions to access new areas of imagination and ideas. We discuss some of the challenges we have experienced in pursuing this aim, but conclude that the rewards to Art and Science—and the benefits they deliver to society—are well worth it.
Eleanor Gates-Stuart, Matthew Morell, David Lovell, Chuong Nguyen, Matt Adcock, Jay Bradley
StellrScope Exhibition Banners – Please take the poll and help choose which banner
Titanium Insects produced @ CSIRO Titanium Technologies are on Exhibition at:
Thursday, 18 July to Saturday, 24 August 2013
The development of Excellence in Research Australia (ERA) has seen changes take place within the Creative Arts in Australian tertiary institutions. Primary practice-based and practice-led research has been incorporated into universities research recognition and funding frameworks. Concurrently, craft practitioners and designer makers are embracing digital technologies, research and design thinking, with innovation and advances in these areas changing the way they engage, design and create.
In response, Craft ACT: Craft and Design Centre presents, Embracing Innovation Volume 3, an exhibition showcasing innovation in the creative arts, with a particular focus on craft and design. The exhibition showcases makers who are exploring these new areas of practice.
Christmas Beetle, Scientific name: Anoplognathus (blue anodised titanium)
Wheat Weevil, Scientific Name: Sitophilus granarius (yellow anodised titanium)
Broad-nosed Weevil, Scientific Name: Gagatophorus sp. (titanium – no colour)
Jewel Beetlel, Scientific Name: Buprestidae (titanium – no colour)
More information can be following on these links:
3D ‘Beautiful Mutant’ and ‘twoxseeds’ are part of the new virtual crop series being produced for StellrScope. This image includes the wheatear ‘point cloud’ as part of the visualisation process leading the object into other artworks.
PlantSeedMan Installation Development Research for StellrScope Science Art Commission Project – see post
Night Bugs.. ENLIGHTEN 2013
Here is a clue to what is happening at Questacon during Enlighten 1-9 March. Who let the bugs out!!!
Check out the event and program : ENLIGHTEN
Presented StellrScope, as an update on the Centenary of Canberra 2013 Science Art Commission Project at OzViz 2012 Symposium.
Poster exhibited (as shown) includes Dr Chuong Nguyen (CSIRO)and Dr Xavier Sirault (CSIRO)
StellrScope celebrates the story of wheat innovation over the last century, from the days of wheat experimentalist William Farrer to the food futures research of today.
The Centenary Science Art Commission is jointly funded by the ACT Government and the Australian Government and is one of many projects taking place to mark the Centenary of Canberra in 2013. StellrScopE will be completed in 2013 and displayed at Questacon and the CSIRO Discovery Centre in Canberra.