A new work from the Orchid Research Series that originated at the Orchid Research and Development Centre at the National Cheng Kung University. This work is a tribute to the ORDC and to Professor Hong-Hwa and her team, as my orchid research experiment project and the work I currently have in progress is influenced by the innovative and experimental nature of this lab.
I am also looking for other research partners to continue the work here in Australia and Internationally.
© Eleanor Gates-Stuart
What an end to a great semester at National Cheng Kung University and having enjoyed being part of bringing this Techno Art Program into existence. Wonderful to have received my full Professorship and to have worked with some amazing colleagues and students. It will be exciting to hear of the 1st Techno Arts Masters students, 2017 graduation, and I hope they visit Australia in the future. This last semester was special by introducing students to science-art and to develop their research in collaboration with the Orchid Research and Development Centre (ORDC), NCKU. I will post more about my own research with ORDC soon. Now to life back in Australia 😀
|Jimmy Hung||洪凱祥||Yu Fu Lin||林玉富|
|Rider Chen||陳相丞||You-Yi Chen||陳佑亦|
|Jiun-Kai Huang||黃俊凱||Hsin Huang||黃歆|
|Jessica Chen||陳瀅守||Wu, Wan-Lin||吳宛霖|
|Lu, Wei-yu||盧威聿||Xu, Rui-ling||許瑞鈴|
|Prof Eleanor Gates-Stuart||愛莉諾||Prof Hong-Hwa Chen||陳虹樺|
|(Nicole) Pei-Han Lai||賴姵含|
We would like to express our thanks to the Orchid Research and Development Center (ORDC) for their kindness and support in collaborating with the artists in the Techno Art Program 1051. We wish the very best for all their research and future success.
Special “thank you” to:
Professor Hong-Hwa, Director (ORDC)
Professor Wen Huei Chen, Researcher (ORDC)
Associate Professor Wen-Chieh Tsai (Institute of Tropical Plant Science)
‘Unravelling the Sequence’ the first in the series of images, photo-sketches, for the new body of work starting here at the National Cheng Kung University. This body of work extends my research here on the Campus of NCKU, probably the timing and response to having been here over a year, finding overlaps in my thought and experiences, as I live between Australia and Taiwan…. one world.
Those of you that know me will with no doubt grasp the context – just an experiment.
Science communication remains an import aspect of the investigation and the results are two-fold in this particular instance so I can wider the scope of the results.
Objects in Space (VR+) – Stage 3 in Progress following on from initial sketches to VR environments (Google Tilt Brush). Next step: materialising the object – monumental scale
Over in Australia with a great visit planned to SA Museum and planning of next projects. Contact me if you would like to catch up, chat about visits, research, have coffee… (June-Late August)
Thank you ATWEN for publishing this article.
Great be be working in both Australia and Taiwan.
Great opening at Aglow Space Gallery
愛莉諾 Eleanor Gates-Stuart, 徐凡 Hsu Fan, 黃佩珊 Huang Pei-Shan, 于庭懿 Yu Ting-Yi, 羅翊寧 Lo Yi-Ning, 葉泰佑 Ye Tai-You, 李宜瑾 Lee Yi-Chin
Just had to share one of my new images of Western Australia, part of the ‘Under the Surface’ mining project, residency at Scitech Discovery Centre 2016.
Communicating Science: Explorations through Science and Art
PhD thesis and final seminar complete. Created this image ‘Discovery’ to celebrate the research.
PhD Research study at the Australian National Centre for the Public Awareness of Science (CPAS), Australian National University & the Commonwealth Scientific and Industrial Research Organisation (CSIRO).
Image contains a digital watermark that is not on the actual image.
More information: Speaker
Science Inspired Designs by Eleanor – five in the Collection were previewed at FASHFEST. All designs are extracted from her research interests in science art (CSIRO + ANU), deconstructing the complex 3D images and reusing in beautiful repeat pattern. Artworks are available direct from Studio E L E A N O R G A T E S T U A R T Australia – likewise for other design projects and commisssions.
Images show a watermark – this does not appear on original designs
Rachel wearing ‘Jewels’ at the Finale at FASHFEST
Amazing ‘insects’ hit the catwalk in FASHFEST, as the science inspired insect prints were proudly showcased in the Scientist fashion theme. Almost ironic as the designs are 3D insect body maps … rewrapped as swimwear and stunning in their appearance. Five designs were selected from Eleanor’s collection, images that form part of her research at CSIRO (Computational Informatics Division) and the ANU (CPAS) reflecting her focus in science+art+technology.
Using Eleanor’s fabric designs, the swimsuits are then designed by British fashion Designer, Shelley Campton and printed in collaboration with JETS Digital.
Working on the ‘Scientist’ theme for FASHFEST has certainly thrown a different perspective on the research I normally undertake in my science art focus and one that is truly exciting. Seeing images take on a new aesthetic in the form of fabric design and applied to the FASHFEST scientist theme for swimwear is an interesting direction.
Admittedly the lab coats have crept into the spotlight and to be honest an image I have not attached to my work before given it is usually the science itself I have been focused on. However, seeing the fun that the public has in wearing the lab coats and taking on the persona of scientist in the learning environment at CSIRO Discovery Centre captured my attention.
Although the lab coats only have a few seconds appearance as the science inspired fabric prints and swimsuits are the main feature, I am already thinking about the potential of them in future concepts. Collaborators are most welcome.
StellrScope @ CSIRO
Paper presented at IEEE VIS 2013, Atlanta, US
Paper available at this link: http://visap2013.sista.arizona.edu/papers/Stuart_CreativeCatalysts.pdf
People tend to judge the benefits of Science Art collaborations by their tangible outputs, such as artworks, visualisations and other artefacts generally accessible to a wide audience. We argue that the process by which these artworks were created can be a significant, or even the principal benefit of these collaborations, even though it might be largely invisible to anyone other than the collaborators. We describe our experience of Art and Science as mutual catalysts for creativity and imagination within the context of a large multidisciplinary research organisation (The Commonwealth Scientific and Industrial Research Organisation—CSIRO) and a major national exhibition—The Centenary of Canberra Science Art Commission. We have formed a view that Science and Art often pursue orthogonal dimensions of creativity and innovation, and that with the right approach and attitude, collaborators can combine these dimensions to access new areas of imagination and ideas. We discuss some of the challenges we have experienced in pursuing this aim, but conclude that the rewards to Art and Science—and the benefits they deliver to society—are well worth it.
Eleanor Gates-Stuart, Matthew Morell, David Lovell, Chuong Nguyen, Matt Adcock, Jay Bradley
ABC3 Behind the News Reporter, Emma Davis, interviews CSIRO Science Art Fellow, Eleanor Gates-Stuart and CSIRO Research Scientist, Dr Chuong Nguyen about their collaboration to produce the 3D Titanium Insects. Watch the video, below:
3D Titanium Bugs on exhibition at Embracing Innovation Volume 3
Craft ACT: Craft and Design Centre Gallery: 18 Jul – 24 Aug 2013
Level 1, North Building, 180 London Circuit, Civic Square, Canberra
“Eleanor Gates-Stuart has worked as part of a team also, with scientists and computer experts at the Commonwealth Scientific and Industrial Research Organisation (CSIRO) providing specific expertise. As part of her Canberra Centenary science art commission StellrScopE, the team used a 3D scanner to map weevils and other bugs and insects, and enlarge them with detail intact. Such art and science collaborations are increasingly common, for instance the Synapse initiative of the Australia Council for the Arts and the Australian Network for Technology2 has facilitated collaborations between artists and scientists on a variety of projects over the last ten years.
Artworks produced during Gates-Stuart’s collaboration include two dimensional images and a group of three dimensional bugs printed in titanium and patinated in strong bright colour. The ‘re-birthed’ bugs, enlarged beyond their true size, are strange hybrids; neither toy nor specimen, props perhaps in a science fiction film or animation. Spot lit in the gallery this sense of the filmic is amplified”.
Extract from Embracing Innovation Volume 3 Essay by Dr Patsy Hely
Opening Speech by Peter King:
Mr Peter King is the Manager of Green Growth Partnerships and Design Integration and the Secretariat Australian Design Integration Network at the CSIRO (Commonwealth Scientific and Industrial Research Organisation).
Giant 3D printed bugs shed light on insect anatomy
Images are low resolution with watermark – high res’ images available on request
More information can be following on these links:
StellrScope Exhibition Banners – Please take the poll and help choose which banner
A Series of Artworks Celebrating the Centenary of Canberra,
Science Art Commission Residency, StellrScope, at the Commonwealth Scientific and Industrial Research Organisation
6 August – 15 September, 2013
Open: Mon – Fri 9.00 am – 5.00 pm Weekends 11 am – 3 pm
Venue: CSIRO Discovery Centre
North Science Road, Acton ACT 2601
StellrScope by Eleanor Gates-Stuart
Celebrating a Century of Wheat Innovation in Australia from the days of William Farrer to CSIRO Research today
5 August – 1 September, 2013
Open daily between 9.00 am and 5.00 pm
Venue: Gallery 5, Questacon – The National Science and Technology Centre
King Edward Terrace Canberra, ACT 2604 Australia
Admission to StellrScope at Questacon is free (conditions apply, see www.questacon.edu.au for information
3D ‘Beautiful Mutant’ and ‘twoxseeds’ are part of the new virtual crop series being produced for StellrScope. This image includes the wheatear ‘point cloud’ as part of the visualisation process leading the object into other artworks.
InterVisible: Visions from the Intersection of Science and Art
Abstract: “Usually, scientific images are conversations stoppers; Science art is a conversation starter” – Dr Matthew Morell, CSIRO Food Futures Flagship. This work highlights the complementarity of Science and Art. Our recent experiences have shown that Art can take Science to places and audiences that it could not otherwise reach. We believe that through, and with Art, CSIRO and other research organisations can engage a much broader audience and, in doing so, increase the impact of Science.