Revisiting artworks ‘Virus’ … actually these ones were never really completed rather a state of mind – thoughts expressed as video installations. The theme lead to other things such as my focus on Science+Art and the opportunity to research bioinformatics and genetic variation through other works such as ‘StellrScope’ and ‘FingerCodes’.
Amazing to see my family’s involvement in my work, how they have been a part of my work (always) and with tremendous respect to them.
Acknowledgement: Auguste Soesastro who kindly provided his textile works for adaption in the artworks
Painting the Blues
Developing a series of washes as part of my ‘brush’ templates First sign of a similar approach in the FingerCodes Series. Remnants of gatescherrywolmark with echoes of sub-cultural european influence.
© Eleanor Gates-Stuart 2015
Ongoing investigation ‘Finger Codes’ … notions of identity.
Interested in embedding visual coded material and 3D mapping.
Cast & artwork by Eleanor Gates-Stuart, Scan by Dr Chuong Nguyen CSIRO
Finger Codes Series as seen below:
Finger Codes Series, exhibited at the Mary Porter Sesnon Gallery 2010, UCSC, US and CSIRO Discovery Centre 2011.
For more images see: eleanorgatestuart
Research Study at ANU: ‘How Can the Notion of Identity, Through Fingerprint, Elicit Personal Expressions of Self-Identity?’
Further information: Finger Codes
FINGER CODES Articles
IMPRINT – The Journal of the Print Council of Australia Inc. Winter 2011 Volume 46 #2
Art Monthly Australia, November 2011 #245