New works in association with imaginarymediaimages – read more:
New works in association with imaginarymediaimages – read more:
Celebrating the Year of the Goat reminds me of the excitement I have for these two earlier works: Laddertree & Extravaganza
Laddertree (Gouache, ink and watercolour)
Extravaganza (Silkscreen) Published by London Print Studio for ‘Jovert’ 1988
The Creatives gallery showcases artists, designers, and creative technologists whose work has been informed or influenced by science and technology. Artists create, shape, reflect, and define our society — their contribution is critical to any human rights movement. This gallery seeks to recognize the critical role of artists and creative practitioners in imagining and realizing a more gender equitable future.
Great to be part of the exhibition – Thank you
A Global Fund for Women Project
Communicating Science: Explorations through Science and Art
PhD thesis and final seminar complete. Created this image ‘Discovery’ to celebrate the research.
PhD Research study at the Australian National Centre for the Public Awareness of Science (CPAS), Australian National University & the Commonwealth Scientific and Industrial Research Organisation (CSIRO).
Image contains a digital watermark that is not on the actual image.
Amazing series of presenters and excellent event
Photograph of Eleanor by Ian Barndt
Design Brief: Incorporating CSIRO photographs in a new design with text (Artistic approach required)
Dimensions: Table 5 m x 1m
Detail for Glass-case – Accompanying Panel: Smart Clothing, Quick Dry Merino, Flexible Integrated Energy Devices
Display installed in CSIRO Discovery Centre
Post-it sketches reflect my thoughts and capture snippets of my daily life. They have been something that sit in the background to my artist practice – more of a distraction to what I am actually doing and sometimes an enjoyable gift to send a friend and share with family. Drawing has always been part of my life but I never really regarded any of these sketches as an influence until I was in my final year at art school. It was then that they became part of my work having gained the confidence to put them out in public. A tutor had seen one of my letters that I was writing to a friend and asked about all the sketches that I was adding into the letter and asked if this was something that I enjoyed. Much of my earlier work show signs of this approach as I fluctuated through various stylistic methods to tell a story – more often to deflect the viewer from the real story or the images being personalised. A bit of a contraction really as everyone knew they were my drawings.
I still add drawings to my letters, enjoying a fountain pen and smudging my sketch with my fingers. These days I do not write as many letters as I would like to send as email is so much quicker and I guess that is why I started using the post-it notes as they are always on my desk. A thought will be put straight onto the note and then my iphone would send it off to a friend or add it up to my facebook page where I enjoy sharing the sketches with friends. I always placed them on my personal page rather than my art pages as I still wanted to keep them close, especially as they tend to be about my friends or my personal life.
So why make them more public? Interestingly, they have become part of my research study in a discussion relating to the framing of ideas. More so…… it has been great to receive lots of feedback from folks and that is as enjoyable for me as sharing the sketches. I do not have many early ones as they were all sent out in letters – you never know they might still have a few around if the content was directly about them or if they are as as much a ridiculous a hoarder of things as me.
Science Inspired Designs by Eleanor – five in the Collection were previewed at FASHFEST. All designs are extracted from her research interests in science art (CSIRO + ANU), deconstructing the complex 3D images and reusing in beautiful repeat pattern. Artworks are available direct from Studio E L E A N O R G A T E S T U A R T Australia – likewise for other design projects and commisssions.
Images show a watermark – this does not appear on original designs
Rachel wearing ‘Jewels’ at the Finale at FASHFEST
Amazing ‘insects’ hit the catwalk in FASHFEST, as the science inspired insect prints were proudly showcased in the Scientist fashion theme. Almost ironic as the designs are 3D insect body maps … rewrapped as swimwear and stunning in their appearance. Five designs were selected from Eleanor’s collection, images that form part of her research at CSIRO (Computational Informatics Division) and the ANU (CPAS) reflecting her focus in science+art+technology.
Using Eleanor’s fabric designs, the swimsuits are then designed by British fashion Designer, Shelley Campton and printed in collaboration with JETS Digital.
Working on the ‘Scientist’ theme for FASHFEST has certainly thrown a different perspective on the research I normally undertake in my science art focus and one that is truly exciting. Seeing images take on a new aesthetic in the form of fabric design and applied to the FASHFEST scientist theme for swimwear is an interesting direction.
Admittedly the lab coats have crept into the spotlight and to be honest an image I have not attached to my work before given it is usually the science itself I have been focused on. However, seeing the fun that the public has in wearing the lab coats and taking on the persona of scientist in the learning environment at CSIRO Discovery Centre captured my attention.
Although the lab coats only have a few seconds appearance as the science inspired fabric prints and swimsuits are the main feature, I am already thinking about the potential of them in future concepts. Collaborators are most welcome.
3D Grassland goes fabric for FASHFEST
The 3D animated ‘Grassland’ sequence provides the stunning design for one of the FASHFEST contemporary swimwear. The palm beetle and cicada (from the Australian National Insect Collection, CSIRO) are amongst the featured ‘stars’ in the designs, although they might be rather hard to find in the sheer brilliance and pattern of the printed fabric.
The other four designs are full of colour as you can imagine with such beautiful Australian insects as inspiration. These will be revealed on the night at FASHFEST.
There are also a suite of artworks from Grasslands as shown on Studio E L E A N O R G A T E S T U A R T Australia.
If you are interested in knowing more about Eleanor’s work – please contact her directly.
SCIENCE+ART+FASHION … CSIRO+eleanorgatestuart+FASHFEST
Bugs make it to the fashion walkway at FASHFEST. Well sort of… Eleanor’s insect artwork is fused in a myriad of design as fashion fabrics for swimwear. A rather unusual brief and a very exciting challenge as one of the three artists selected by FASHFEST producer, Steve Wright, to contribute to the fashion event. Eleanor whose research with CSIRO and CPAS (ANU) specialises in using her art to illuminate science research and collaboration, such as, her designs for FASHFEST that focus on the 3D construction of insects for the Australian National Insect Collection (CSIRO) with the Division of Computational Informatics.
The FASHFEST theme of ‘Scientist’ fits perfectly with Eleanor’s own PhD research study in science and art, especially with her collaborative partnership with Dr Chuong Nguyen in their exploration of 3D printing of titanium insects and interactive exhibits, such as StellrScope.
Insect inspired designs ready for FashFest… great to be one of the selected artists to create designs for the swimwear fabric design.
Designs will be revealed on the night at FashFest – meanwhile here are a few snippets of my inspiration and research at CSIRO and the Australian National Insect Collection:
Fashfest goes bug-eyed over swimwear Canberra Times
Eleanor’s Artwork Collections Store eleanorgatestuart
Dr Chuong Nguyen, CSIRO
Australian National Insect Collection ANIC, CSIRO
Exhibiting a poster at ASC 2014 and showing artworks in the Science Art Exhibition. Also presentation of our research paper, ‘Visualising Insects: An Exploration in Science and Art’ , co-authored with Dr Chuong Nguyen at Computational Informatics, CSIRO.
Submarines, ships, historical buildings, vintage belongings, maps, technical drawings.. all with a twist of heritage and family clans. Artworks made for a very special commission and for their forthcoming special event.
Images by Eleanor Gates-Stuart © 2014
Source images credited to Wikipedia Commons (copyright free images and creative commons licenses) (AUS+US)
A huge “thank you” to the Canberra Critics Circle for acknowledging the ‘StellrScope’ Exhibition at Questacon. A wonderful tribute to the work produced as part of the Centenary of Canberra Science Art Commission and host partner with the CSIRO.
I share this award with all the terrific people who helped and collaborated in the making of StellrScope.
S C I E N C E + A R T ….. Yay!
Canberra Critics Circle:
The idea is that we, the critics, single out qualities we have noticed — things which have struck us as important. These could be expressed as abstracts, like impact, originality, creativity, craftsmanship and excellence.
The 22 year-old Canberra Critics’ Circle is the only such group of critics in Australia that runs across all the major art forms.
StellrScope @ CSIRO
Paper presented at IEEE VIS 2013, Atlanta, US
Paper available at this link: http://visap2013.sista.arizona.edu/papers/Stuart_CreativeCatalysts.pdf
People tend to judge the benefits of Science Art collaborations by their tangible outputs, such as artworks, visualisations and other artefacts generally accessible to a wide audience. We argue that the process by which these artworks were created can be a significant, or even the principal benefit of these collaborations, even though it might be largely invisible to anyone other than the collaborators. We describe our experience of Art and Science as mutual catalysts for creativity and imagination within the context of a large multidisciplinary research organisation (The Commonwealth Scientific and Industrial Research Organisation—CSIRO) and a major national exhibition—The Centenary of Canberra Science Art Commission. We have formed a view that Science and Art often pursue orthogonal dimensions of creativity and innovation, and that with the right approach and attitude, collaborators can combine these dimensions to access new areas of imagination and ideas. We discuss some of the challenges we have experienced in pursuing this aim, but conclude that the rewards to Art and Science—and the benefits they deliver to society—are well worth it.
Eleanor Gates-Stuart, Matthew Morell, David Lovell, Chuong Nguyen, Matt Adcock, Jay Bradley
The publications contains contributions from other authors talking about this commissioned works of art, including scientists from CSIRO.
Click on the picture below
StellrScope Exhibition Catalogue by Eleanor Gates-Stuart © 2013
Published by CSIRO
Food Futures Flagship & Computational Informatics
All Rights Reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronical or mechanical, including photocopy, recording or any other information storage and retrieval system, without prior permission in writing from the author.
ABC3 Behind the News Reporter, Emma Davis, interviews CSIRO Science Art Fellow, Eleanor Gates-Stuart and CSIRO Research Scientist, Dr Chuong Nguyen about their collaboration to produce the 3D Titanium Insects. Watch the video, below:
Craft ACT: Craft and Design Centre Gallery: 18 Jul – 24 Aug 2013
Level 1, North Building, 180 London Circuit, Civic Square, Canberra
“Eleanor Gates-Stuart has worked as part of a team also, with scientists and computer experts at the Commonwealth Scientific and Industrial Research Organisation (CSIRO) providing specific expertise. As part of her Canberra Centenary science art commission StellrScopE, the team used a 3D scanner to map weevils and other bugs and insects, and enlarge them with detail intact. Such art and science collaborations are increasingly common, for instance the Synapse initiative of the Australia Council for the Arts and the Australian Network for Technology2 has facilitated collaborations between artists and scientists on a variety of projects over the last ten years.
Artworks produced during Gates-Stuart’s collaboration include two dimensional images and a group of three dimensional bugs printed in titanium and patinated in strong bright colour. The ‘re-birthed’ bugs, enlarged beyond their true size, are strange hybrids; neither toy nor specimen, props perhaps in a science fiction film or animation. Spot lit in the gallery this sense of the filmic is amplified”.
Extract from Embracing Innovation Volume 3 Essay by Dr Patsy Hely
Opening Speech by Peter King:
Mr Peter King is the Manager of Green Growth Partnerships and Design Integration and the Secretariat Australian Design Integration Network at the CSIRO (Commonwealth Scientific and Industrial Research Organisation).
Images are low resolution with watermark – high res’ images available on request
More information can be following on these links:
StellrScope Exhibition Banners – Please take the poll and help choose which banner
A Series of Artworks Celebrating the Centenary of Canberra,
Science Art Commission Residency, StellrScope, at the Commonwealth Scientific and Industrial Research Organisation
6 August – 15 September, 2013
Open: Mon – Fri 9.00 am – 5.00 pm Weekends 11 am – 3 pm
Venue: CSIRO Discovery Centre
North Science Road, Acton ACT 2601
StellrScope by Eleanor Gates-Stuart
Celebrating a Century of Wheat Innovation in Australia from the days of William Farrer to CSIRO Research today
5 August – 1 September, 2013
Open daily between 9.00 am and 5.00 pm
Venue: Gallery 5, Questacon – The National Science and Technology Centre
King Edward Terrace Canberra, ACT 2604 Australia
Admission to StellrScope at Questacon is free (conditions apply, see www.questacon.edu.au for information
Titanium Insects produced @ CSIRO Titanium Technologies are on Exhibition at:
The development of Excellence in Research Australia (ERA) has seen changes take place within the Creative Arts in Australian tertiary institutions. Primary practice-based and practice-led research has been incorporated into universities research recognition and funding frameworks. Concurrently, craft practitioners and designer makers are embracing digital technologies, research and design thinking, with innovation and advances in these areas changing the way they engage, design and create.
In response, Craft ACT: Craft and Design Centre presents, Embracing Innovation Volume 3, an exhibition showcasing innovation in the creative arts, with a particular focus on craft and design. The exhibition showcases makers who are exploring these new areas of practice.
More information can be following on these links:
Photo: (Weevil – Titanium Insect by Eleanor Gates-Stuart in collaboration with Chuong Nguyen, CSIRO)
Scientists and creative practitioners have more ways, and more reasons, to collaborate than ever before. Discover how the tools of cinematography, storyboarding, graphic design, and sound engineering are increasingly being used to communicate modern, complex science. This is opening up a whole new arena for creatives with an interest in science, and for creative scientists alike.
This event features live presentations from two world-leading biomedical animators and science communicators: Graham Johnson from the UCSF (USA) and Drew Berry – winner of a MacArthur Fellowship, a BAFTA and an Emmy award – from the Walter and Eliza Hall Institute in Melbourne.
Following the talks, you will have a chance to network over a mixer in the adjacent MCA Lounge. There will also be an opportunity for a limited number of participants to briefly introduce their work to the audience. If your work bridges art, creativity, and science, and you wish to take advantage of this opportunity, please send short description of your work (one paragraph and one PNG image) by 23rd May, 5 PM EST, to firstname.lastname@example.org after you have registered for this event.
This event is presented by ‘VIZBI+ Visualising the Future of Biomedicine’, a new project funded by theInspiring Australia government initiative, the Garvan Institute of Medical Research, the Walter and Eliza Hall Institute for Medical Research (WEHI), and CSIRO.
PlantSeedMan Installation Development Research for StellrScope Science Art Commission Project – see post
New work in development, exploring 3D Printing and Titanium in collaboration with Chuong Nguyen at CSIRO. The above image is the first prototype ‘hot off the bed’ following testing. For more information regarding the 3D Bugs please contact us.
Science • Art • Technology @ CSIRO
Insect Concept Development & Direction – Eleanor Gates-Stuart
Quantitative Imaging, 3D Scanning – Chuong Nguyen
Titanium Manufacturing – Chad Henry
Titanium Production – Vinay Tyagi
New Technologies and Alternative Media
Autumn 2013 Volume 48 No. 1 Pages 30/31
Journal available: http://www.printcouncil.org.au/imprint/imprint-autumn-2013 or via Contact
InterVisible: Visions from the Intersection of Science and Art
Abstract: “Usually, scientific images are conversations stoppers; Science art is a conversation starter” – Dr Matthew Morell, CSIRO Food Futures Flagship. This work highlights the complementarity of Science and Art. Our recent experiences have shown that Art can take Science to places and audiences that it could not otherwise reach. We believe that through, and with Art, CSIRO and other research organisations can engage a much broader audience and, in doing so, increase the impact of Science.
National Library of Australia – Sketches & Projection Photographs
Referencing the library’s collection of Australian board games in juxtaposition with historical artefacts to explore Australia’s history.
The Federation Game
The Federation Game was published for Parliament of the Commonwealth of Australia by the Australian Government Publishing Service (1987) and is an interesting use of the snakes and ladders theme. I have used these references in re-sketching the board and aligning these references on the building
Race to the Gold Diggings of Australia Game
Game based on the Voyage to the Gold Diggings of Australia based on travelling the seas. I have playfully juxtaposed objects, altered visual perspective, rearranged numbers and direction of timelines to create a larger than life surreal viewpoint.